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English Wikipedia references for All-art.org 1-20 of 99
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| Alessandro Algardi Alessandro Algardi (July 31, 1598 Italian high-Baroque sculptor active almost exclusively in Rome, where for the latter decades of his life, he was the major rival of Gian Lorenzo Bernini. Alessandro_Algardi | |
| Alessandro Allori Alessandro di Cristofano di Lorenzo del Bronzino Allori (3 May 1535 - 22 September 1607) was an Italian portrait painter of the late Mannerist Florentine school. Born in Florence, in 1540, after the death of his father, he was brought up and trained in art by a close friend, often referred to as his 'uncle', the mannerist painter Agnolo Bronzino, whose name he sometimes assumed in his pictures. Alessandro_Allori | |
| Albrecht Dürer Albrecht Dürer () (May 21, 1471 German painter, printmaker and theorist from Nuremberg. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since. Albrecht_Dürer | |
| Albrecht Altdorfer Albrecht Altdorfer (c. 1480 near Regensburg 12 February 1538 in Regensburg) was a German painter, printmaker and architect of the Renaissance era, the leader of the Danube School in southern Germany, and a near-contemporary of Albrecht Dürer. He is best known as a significant pioneer of landscape in art. Albrecht_Altdorfer | |
| Baroque arts, the Baroque (, bə-) was a Western cultural period, starting roughly at the beginning of the 17th century in Rome, Italy.The popularity and success of the Baroque style was encouraged by the Roman Catholic Church, which had decided at the time of the Council of Trent that the arts should communicate religious themes in direct and emotional involvement. Baroque | |
| Bartolomeo Ammanati Bartolomeo Ammanati (June 18, 1511 - April 13, 1592) was a Florentine architect and sculptor, born at Settignano, near Florence. He studied under Baccio Bandinelli and Jacopo Sansovino (assisting on the Library of St. Mark's, the Biblioteca Marciana, Venice) and closely imitated the style of Michelangelo. Bartolomeo_Ammanati | |
| Jacques-Louis David Jacques-Louis David (30 August 1748 French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward a classical austerity and severity, heightened feeling chiming with the moral climate of the final years of the ancien régime.David later became an active supporter of the French Revolution and friend of Maximilien Robespierre (1758-1794), and was effectively a dictator of the arts under the French Republic. Jacques-Louis_David | |
| Francisco Goya Francisco José de Goya y Lucientes (30 March 1746 painter and printmaker regarded both as the last of the Old Masters and as the first of the moderns. Goya was a court painter to the Spanish Crown and a chronicler of history. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Francisco_Goya | |
| Fra Angelico Fra Angelico (c. 1395 February 18 1455), born Guido di Pietro, was an Early Italian Renaissance painter, referred to in Vasari's Lives of the Artists as having "a rare and perfect talent". Known in Italy as il Beato Angelico, he was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole). In Giorgio Vasari's Lives of the Artists, written prior to 1555, he was already known as Fra Giovanni Angelico (Brother Giovanni the Angelic One). Fra_Angelico | |
| Ford Madox Brown Ford Madox Brown (16 April 1821 English painter of moral and historical subjects, notable for his distinctively graphic and often Hogarthian version of the Pre-Raphaelite style. Ford_Madox_Brown | |
| Gian Lorenzo Bernini Giovanni Lorenzo Bernini (December 7, 1598 Baroque sculptor and architect of 17th Century Rome. Gian_Lorenzo_Bernini | |
| History of painting The history of painting reaches back in time to artifacts from pre-historic humans, and spans all cultures, that represents a continuous, though disrupted, tradition from Antiquity. Across cultures, and spanning continents and millennia, the history of painting is an ongoing river of creativity, that continues into the 21st century. History_of_painting | |
| Hans Baldung Hans Baldung, known as Hans Baldung Grien/Grün (c. 1480 - 1545) was a German Renaissance artist in painting and printmaking in woodcut. He was considered the most gifted student of Albrecht Dürer. Hans_Baldung | |
| Leda and the Swan Leda and the Swan is a motif from Greek mythology, in which Zeus came to Leda in the form of a swan. According to later Greek mythology, Leda bore Helen and Polydeuces, children of Zeus while at the same time bearing Castor and Clytemnestra, children of her husband Tyndareus, the King of Sparta. Leda_and_the_Swan | |
| Michelangelo Michelangelo di Lodovico Buonarroti Simoni Michelangelo | |
| Photography For a topical guide to this subject, see Outline of photography.Photography () (from Greek φωτο and γραφία) is the process, activity and art of creating still or moving pictures by recording radiation on a sensitive medium, such as a film, or an electronic sensor. Photography | |
| Renaissance The Renaissance (from French Renaissance, meaning "rebirth"; , from re- "again" and nascere "be born") was a cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe. The term is also used more loosely to refer to the historic era, but since the changes of the Renaissance were not uniform across Europe, this is a general use of the term. Renaissance | |
| Lawrence Alma-Tadema Sir Lawrence Alma-Tadema, OM, RA (January 8, 1836, Dronrijp, the Netherlands.- June 25, 1912 Wiesbaden, Germany) was one of the most renowned painters of late nineteenth-century Britain. Born in Dronrijp, the Netherlands, and trained at the Academy of Antwerp, Belgium, he settled in England in 1870 and spent the rest of his life there. Lawrence_Alma-Tadema | |
| Rococo Rococo is a style of 18th century French art and interior design. Rococo rooms were designed as total works of art with elegant and ornate furniture, small sculptures, ornamental mirrors, and tapestry complementing architecture, reliefs, and wall paintings. It was largely supplanted by the Neoclassic style. Rococo | |
| Orientalism Orientalism refers to the imitation or depiction of aspects of Eastern cultures in the West by writers, designers and artists. An "Orientalist" may be a person engaged in these activities, but it is also the traditional term for any scholar of Oriental studies. Orientalism was more widely used in art history referring mostly to the works of French artists in the 19th century, whose subject matter, color and style used elements from their travel to the Mediterranean countries of Orientalism |
